Today’s yokai is a little less sinister than yesterday’s. This is Zashiki-warashi, a house spirit which looks like a young child. It’s generally a harmless spirit, and it’s said that if you see one in your house, it will bring you good fortune (though it’s also said they are invisible to adults). However, if it ever leaves your house, you will fall into ruin. Zashiki-warashi are pranksters who like to make noise, move things about, and goof off in other ways. They’ll often jump on sleeping guests in the middle of the night, and then vanish before anyone can see them. They also like to play with anything in the house that makes noise, or run around singing Japanese “spirit music.” Another of their favorite pranks to do is to rub their feet in the ashes from the fire place and run around the house, leaving footprints everywhere. In some areas, people leave food out at night for the zashiki-warashi in hopes to keep it happy.
There are a number of variations on zashiki-warashi, and while this one is a prankster, it’s relatively pleasant. We’ll see a less pleasant variation tomorrow.
Today’s yokai is Hyosube. This nasty fellow is a cousin of the much-beloved Kappa, a slightly mischievous river spirit, however, Hyosube is much crueler. Those who cross one of these foul little wretches often find themselves sorry for it. Like the kappa, he lives in rivers most of the time; but he likes to venture in to towns to, among other things, take baths in people’s houses. His body is covered in thick hair, which invariably gets left all over the bathroom, in the tub, and every he’s been. If you’re hairy like me, you know this problem only too well — we Meyers are a hairy bunch — (thankfully my wife likes hyosubes so she doesn’t seem to care).
There are a few stories of people who had unfortunate run-ins with a hyosube. In one story, a woman caught a hyosube who was trashing her eggplant garden. The hyosube got angry and destroyed all of the eggplants, and afterwards the woman turned purple and soon died. In another story, a man who went to take a morning bath found hairs and a horrible smell all over his bathroom, so he made sure to empty all the hot water after his bath that night. In retaliation, the hyosube killed his horse. In a third story, another man found his bathroom befouled by a hyosube and threw the dirty hairs and water out the window. Some of the hairs landed on his horse, which promptly died. (These stories were translated from the Japanese Wikipedia page on hyosube, as the English page just redirects to the page for kappa.)
I really love how this monster as well as yesterday’s monster both sound like stories someone made up to explain away a nasty relative. “Grampa Jim always drinks our beer and smokes all our cigarettes and acts like he owns this place!” could easily be a nurarihyon, while “Uncle Carl is so rude, he stinks, and he leaves his hair all over our bathroom whenever he bathes!” could easily be the origin for a hyosube.
It’s time to unveil my super-secret project that I have been planning in my head for months now, and should most certainly have preceded with more fanfare. I’ve been fascinated with Japanese monsters, yokai, for a very long time now, and October is my favorite month, for the weather, the smells, the sights, and of course, my favorite day of the year: Halloween. So in honor of Halloween, I’ve decided to make October a sort of yokai month. Every single day this month I am going to paint a yokai and post it here. It’s a big project, but it should be a lot of fun!
And that brings me too my first yokai-of-the-month: Nurarihyon. Nurarihyon is a great little guy. It’s said he is the most powerful of all yokai, and some also say he is the leader of the yokai. Nurarihyon looks like an old man with a gourd-shaped head. He sneaks into people’s houses and acts like he owns the place, drinking all their sake and smoking all their tobacco. I have no idea what happens if you walk in on a nurarihyon breaking into your liquor cabinet, but I imagine he’d just act like it was totally natural. The main reason I picked him is because he’s my wife’s favorite yokai, but there’s also something quite fun about painting wrinkly, stinky old men. Incidentally, my nurarihyon is drinking Kirin’s Aki Aji, my favorite beer (probably because of the beautiful can) which is only available in the fall.
A few weeks ago I put a question on my Facebook and Twitter pages about what kind of chickens to do next. There were tons of answers, but my favorites were a Zulu warrior and a Jungle Commando. They’ve both been finished for a little while now, but I wanted to wait until I was absolutely sure the oil paint was dry before placing them on my scanner — when I scanned Hanamachi I thought she was dry, but a bit of paint got smeared onto the glass — which is why I’m only posting the Zulu now. The Commando will be a bit longer, as the surface is still a bit tacky and I don’t want to have to clean my scanner again. For now, enjoy this one, and feel free to wait in anticipation for the next one, once it’s dry in a few days.
It’s been a little while since I’ve posted — sorry, I’ve been busy painting chickens. However, I’ve gotten final approval on a painting I did a while back for our friends who are getting married soon. They liked the wedding picture I did of John and Kaori a while back, so I did the wedding board for their upcoming wedding. (Do we have wedding boards in the US? I don’t think so… It’s basically a picture of the couple displayed outside the reception hall. Unfortunately they often look really cheesey, like boardwalk caricatures.) Anyway, here it is:
The sad thing is that Hitomi and I saw some people doing *really* awful wedding boards online for upwards of $200 a pop… I guess you only have to live here to see how lucrative a business weddings are in Japan. After all, even in our corner-of-nowhere neighborhood, there are more than 3 enormous, gaudy wedding chapels, and more being constructed it seems every month.
100 Famous Views of Philadelphia is one of those projects I keep trying to go back to, but keep getting sidetracked with other things. So painting them is rather slow. I started this one back in July after I moved to Fukui, and then stopped working on it until this week, when I thought I really ought to finish it before moving on to another picture.
If you haven’t had a chance to get out to Fairmount Park in early April, do yourself a favor and go! The trees really are something to behold, and the Japan America Society’s Cherry Blossom Festival is quite awesome.
Echizen has a small expo called the Chrysanthemum Earth Festival. It’s a local eco-festival, with 4 themes: Ajimano, man’yo, ecology, and chrysanthemums. It was started last year by a volunteer organization that my wife’s brother is part of, and this year I was asked to do the promo poster for it. I thought it would be a great chance to do a Japanese painting. So I started out by painting a few Chrysanthemums (which are the official flower of Echizen city):
And then tweaked it around a bit to make it more like a poster, adding the event information, and changing the center flower into the Earth: