Frank Frazetta Tribute

You may remember that Frank Frazetta passed away this year, on May 10.

For those of you who don’t know Frank Frazetta — seriously??? — he was one of the greatest illustrators of all time, and even if you’ve never heard the name you must have seen some of his art work. Or if not his directly, at least the countless derivative works which were spawned from the incredible ideas he put onto canvas. He made the world of sci-fi and fantasy illustration what it is today, and defined the look of a number of icons, such as Conan the Barbarian.

In honor of his memory, many artists are doing tribute pieces, re-imagining some of this master’s most famous pieces. He has always been one of my favorite illustrators and painters, so I put together a little tribute as well. The following piece is a reworking of his amazing painting for Edgar Rice Burrough’s A Fighting Man of Mars, done in a quirky ukiyoe style with some Japanese themes worked in, and influences from my favorite printers (you may notice Yoshitoshi’s moon in there). I hope it evokes his memory without being too derivative.

A Fighting Man of Mars

A Fighting Man of Mars

The rest of the pieces, which are being hosted by Gallery Provocateur in Chicago, and can be seen on their website: http://www.galleryprovocateur.org/frazetta.html. The best of these ones will be displayed in the gallery and at Chicago Comic Convention next year.

Recent Projects

I’ve kind of left everyone hanging this past month after doing daily posts in October… I’m sorry about the recent quiet.

One of the big projects I have been working on since November is another Nevermet Press project called The Dead Queens of Morvena. It’s an RPG book with a dark/gothic horror setting to it, detailing an isolated village that has been tainted by demonic influences. I won’t go into too much detail, because you can actually read a lot of the story and its supplements for free on Nevermt Press’ website, nevermetpress.com. They’ve been doing blog posts about the story for a few weeks now, and today the first one featuring some of my interior artwork was posted.

The picture is below, but check out the original post on Nevermet Press too. There will be a few more of these in the coming weeks, I’m sure, leading up to the book’s release. More on that later.

The Mad King Mindenaron

The Mad King Mindenaron

Nengajo (Japanese New Years Cards)

New Years is coming up in only a few short weeks, and you know what that means: Nengajo! At least, you would know that if you lived in Japan, because it is such a huge part of the year here.

New Years in Japan is the equivalent of Christmas in the US (and Christmas in Japan is kind of like New Years in the US). Over here, Christmas is a warm-and-fuzzy date holiday where wishes come true and you want to spend a romantic evening with your lover. New Years, on the other hand, is the everybody-come-home-for-the-holidays, 8-hour-traffic-jams, wake-up-early-for-presents, holiday-sales holiday, and along with Obon in the summer, one of the biggest holiday events in Japan. I absolutely love New Years here, but I’ll spare you the details because I’ve written about my past New Years holidays here, and I’m sure I’ll write about this year’s as well.

Back on topic: Nengajo. Nengajo are basically colorful postcards that you send to everyone you have ever met in your life. Kind of like the Family Christmas Photo/Letter that everyone sends out back in the States. You all probably know the Chinese zodiac from the menus at Chinese restaurants — you know, boars, dogs, pigs, sheep, chickens, tigers, and a couple other circusy things. Well, Nengajo nearly always use the 12-year cycle as a theme (the exception being the occasional obligatory nengajo with a photo of the kiddies doing something cute or stupid) and 2012 happens to be the Year of the Rabbit. So this year’s nengajo are all rabbit-themed.

Everyone always tells me I should paint the coming year’s animal in the same style as my Chickens of the World series (chickens being one of the zodiac signs, of course) as if I could just poop out dozen paintings in one week and package it up as a calendar. Not that it isn’t a great idea — it is — it’s just that I don’t have the time with all the other stuff going on. But last year I painted a tiger for the Year of the Tiger and our own nengajo, and this year, dadgummit, I had better paint a rabbit! My wife’s grandmother also asked me to design her a nengajo.

So it’s a bit early for New Year’s talk, but just the right timing for printing up and hand-writing and mailing 100 postcards. Here are two Year of the Rabbit paintings. See if you can’t guess which one is for an old Japanese granny and which one is for me and my wife…

Cute Rabbits Making Mochi

Nengajo 1: Cute Rabbits Making Mochi

Fukuiraptor Chasing a Rabbit, Carrying Otoshidama

Nengajo 2: Fukuiraptor Chasing a Rabbit, Carrying an Otoshidama

Nevermet Press’ The Hidden Kingdom

Big news! Nevermet Press has released its (our?) 2nd big adventure setting! This one is called Brother Ptolemy and the Hidden Kingdom, and it features a town overrun by an undead cult. Very cool!

This book has been in-the-making for about a year, and it was put together entirely by freelance writers and artists, originally publish online at Nevermet Press and then expanded over the past year with additional art and content.

I have a few pieces of art in there (four total), some of which you’ve seen on this blog, and some which you haven’t (see the update at the bottom). There are a number of other talented artists in there who you should definitely see, too. The writing is top notch too, and not to toot our own whistle, but for a bunch of folks collaborating entirely on the internet (thus the “never met” part) I think we did a great job on this piece.

The basic story revolves around a cult that has infested a number of towns by replacing the bigwigs with undead — sort of a necrocracy. The players find themselves in such a town and have to decide what to do. The book contains NPC’s, hooks, adventures, heroes and villains, side quests, locations — basically everything you would want to run a kickass game, but not so much information that you feel railroaded into one particular style of play. The stats are all for 4th edition D&D, but the story is easily adaptable to any setting.

If you’re not into roleplaying games, then you probably have no idea what I’m talking about by now. But anyway, check out the Nevermet Press site (link below) and if you’re a gamer you owe it to yourself to get this setting!

Nevermet Press: The Hidden Kingdom

Brother Ptolemy & The Hidden Kingdom

Update:

I realized it was kind of lame to mention the art without linking to it, so here are the links to my previous posts with artwork from The Hidden Kingdom:

The City-State of Corwyn
The Bastion of the Hidden Kingdom and Soul’s End

And then the one that you haven’t seen: Zombie Attack!

Zombie Attack!

Zombie Attack!

2010 A-Yokai-A-Day Lineup

I’ve been enjoying my return to a normal sleeping pattern and 3 meals a day, and this past week has been so relaxing compared to the previous month! But I almost got carried away with my leisure and forgot that I have a website to maintain! I’ll post a few updates with new artwork and photos of some cool local places this week, but for now, for your viewing pleasure, I thought I would do a month-in-review post just to have easy access to all of the yokai. I realize it can be a bit of a pain to scroll through pages of my blog looking for the yokai you want to read about. (Hmmm… now that I have a bit of free time maybe I can do some site design…)

Also, the Japanese translations of the yokai are still being worked on, so please be a bit more patient if you’re waiting for them! A couple of the posts got to be so long-winded that translating them is proving much more difficult!

Isonade Mujina (with a Noppera-bo) Kawauso Baku Bake-kujira
Ushi-oni Hou-ou Kirin Seiryuu Genbu
Suzaku Kodama Otoroshi Tengu Kijimuna
Keukegen Gagoze Nure-onna Sessho-seki and Hoji Kage-onna
Kerakera-onna Taka-onna Ubume Hari-onago Ao-nyoubou
Ame-onna Hanako of the Toilet Otsuyu
Onibaba Okiku Oiwa

Matted, fine art prints of each of these images are available from my Etsy page, and some of the originals are still available. If you’re interested in one of the originals, please send me an email using the contact form.

I will continue to paint more yokai throughout the year, though not on a daily basis, so remember to keep checking back here, or you can subscribe to my site via RSS, Facebook, or Google Friend Connect.

A-Yokai-A-Day: Oiwa (The Ghost Story of Yotsuya)

We’ve made it! The final A-Yokai-A-Day painting for October 2010! For Halloween I wanted to present something special. Today I bring you the story of Japan’s scariest and most famous ghost of all time! Tokaido Yotsuya Kaidan, the Japanese name of this story, is by far the most popular, most well known, and most terrifying of Japan’s ghost stories. It is a tale of love, betrayal, murder, and revenge. Despite its age, Yotsuya Kaidan makes even today’s ghost stories seem a timid. The ghost story was created by combining and adding some fiction to two contemporary real-life murder stories and adapting them into a single kabuki show. (The first involved two servants who had murdered their respective masters; they were caught and executed on the same day. The second murder was from a samurai who discovered his concubine was having an affair with a servant; the samurai had the faithless concubine and servant nailed to a wooden board and thrown into the Kanda River.) The show became an instant success and went down in history as Japan’s most popular play ever. Since then it has been reproduced into every form of media imaginable, including over 30 movies. Not only that, the influence of the story on Japan’s culture was so strong that every Japanese ghost story since has borrowed from the powerful imagery and mythology in this story, and you can see its direct influence in today’s well-known ghost stories like Ju-On/The Grudge and Ringu/The Ring and their many spin-offs. Even Chinese, American, and other countries’ ghost stories are now taking their imagery from Yotsuya Kaidan (indirectly via the Japanese hit movies which were inspired by it).

Oiwa (The Ghost Story of Yotsuya)

A long time ago in the area of Tokyo known as Yotsuya there was a masterless ronin samurai named Iyemon. He wished to marry a beautiful woman named Oiwa, but her father, Samon, had heard of Iyemon’s past misdeeds and refused to allow him to marry his daughter. Iyemon’s servant Naosuke also wished to marry Oiwa’s sister Osode, who was unfortunately already married to a man named Yomoshichi. So Iyemon and Naosuke conspired to murder Oiwa’s father and his servants, and Osode’s husband. In order to win Oiwa’s and Osode’s marriages, they claimed that a local bandit had done the killings and promised that they would avenge their deaths. The women agree to marry them.

Time passes, and Oiwa bears Iyemon a son. But she grows sickly and weak after giving birth and never completely recovers. Iyemon is forced into lower work in order to support his family, and he grows to strongly resent his invalid wife. Soon, Iyemon falls in love with another woman, Oume, who is the granddaughter of a rich doctor. Iyemon schemes to murder his wife with Oume, and Oume recieves some poison from her grandfather, and gives it to Iyemon who in turn delivers it to Oiwa, telling her that it will make her stronger. Oiwa takes the medicine and grows weaker and weaker, but it does not kill her. Rather, it disfigures her face, causing her eye to sag her skin to scar over and bleed, and her hair to fall out in bloody clumps.

Meanwhile, Naosuke and Osode are married, but despite his numerous advances, she keeps refusing his attempts to consummate the marriage.

Iyemon, grown disgusted by Oiwa’s mangled face, then bribes a local man named Takuetsu to rape Oiwa so that Iyemon will have grounds to divorce her. Takuetsu attempts to do so, but is unable due to the way she looks. Instead, he shows Oiwa her own reflection in a mirror, and Oiwa grows furious. She rushes to kill Takuetsu with a sword, and he tries to block her. Oiwa trips and cuts her own throat open with the sword. Bleeding to death, she kills her infant son so that he will not be raised by Iyemon, and she curses her husband’s name with her dying breath. One of Iyemon’s servants, Kohei, becomes aware of the murder. To silence Kohei, Iyemon murders him, and nails the bodies of Oiwa and Kohei to a board, and drops them into a river. He claims the two were having an affair, and he is released from his marriage.

Iyemon and Oume arrange to be married. On their wedding night, Iyemon sees a vision of Oiwa’s ghost. He slashes at her, cutting off her head, but then the vision clears and he realizes he has just murdered his new wife Oume. Terrified, he rushes to his new father-in-law’s house, where he sees a vision of Kohei. He attacks his ghost as well, and ends up murdering his father-in-law too.

Iyemon then works to purge his now-dead second wife’s family, throwing his mother-in-law into a canal, and drowning their servants. His friend Naosuke continues to pressure Osode to consummate the marriage, but she oddly continues to refuse. Around that time, Yomoshichi returns, having not actually been killed, and accuses Osode of adultery. She is shamed, and resigns to an honorable redemption in death. She begs her two husbands to kill her, and they gladly oblige. Her final act, though, is to leave a note to her husband Naosuke informing him that she was actually his own younger sister. Shamed, Naosuke commits suicide as well — but not before Yomoshichi acquires damning evidence against Iyemon from him.

Meanwhile, Iyemon flees, constantly pursued by the ghosts of the people he has killed. Oiwa’s ruined face follows him everywhere, even appearing (famously) in a paper lantern. He flees to the mountains, but when he goes fishing, instead of fish, he pulls out the board with Oiwa’s and Kohei’s bodies nailed to it. He flees to a cabin, where the vines from the trees and the smoke from the fire transform into Oiwa’s hair and try to ensnare him.

Finally, Iyemon flees his cabin, having lost his mind and descended into madness as his nightmares become his reality. He runs into Yomoshichi, who slays Iyemon out of both pity and vengeance.

Her story doesn’t end there, though. She continues to haunt even today. From my post on onryo last year you may remember that Japanese ghosts, unlike Western ghosts, don’t go away after they are put to rest. There is generally no end to their haunting. And Oiwa, being the most horrible ghost in Japan is certainly no exception.

Oiwa’s body is buried at a temple (Myogo-ji) in Sugamo, Tokyo, and the date of her death is listed as February 22, 1636. There have been numerous reports of accidents, injuries, and even deaths surrounding productions of the play Tokaido Yotsuya Kaidan, and even during TV and movie productions of the story. As a result, there is said to be a famous curse that touches anything and everything related to this story (like the MacBeth curse, only worse). Nowadays, it is customary before starting any movie or TV show that even talks about Oiwa’s story for the principal actors and the director to make a pilgrimage to Oiwa’s grave and ask her permission to perform and for her blessing for their production. Imagine if  you were supposed to play the role of Oiwa!! (Incidentally, I did not go to Tokyo prior to writing this, so if anything happens to me in the coming days…)

Oiwa (The Ghost Story of Yotsuya)

Oiwa

There you have it, the number one ghost story in Japan! I hope it makes your Halloween a special one!

Okiku is the final yokai in this year’s A-Yokai-A-Day series. But that doesn’t mean I am done painting yokai! I will continue to paint and post yokai throughout this next year. I am now working on an illustrated book of yokai which will include a number of yokai from my A-Yokai-A-Day projects, as well as additional ones I have not yet posted. So stay tuned for more information on that! Remember, you can subscribe to my site via RSS feed, Facebook, Google Friend Connect, or by following @matthewmeyerart on Twitter to stay on top of all of my artwork and blog posts.

Finally, starting tomorrow, the remaining yokai from this series will become available on my Etsy store. You can help support the project as well as own a very special piece of Japan in your own home by visiting osarusan.etsy.com.

Have a Happy Halloween, and thanks so much for clicking back here every day this month!

A-Yokai-A-Day: Okiku (The Dish Mansion at Bancho)

I’ve been having a great time watching the Rally to Restore Sanity and/or Fear live while painting tonight’s ghost. I wish I could be there in person!

Okiku (The Dish Mansion at Bancho)

Today’s character comes from another very very famous kaidan ghost story called Bancho Sarayashiki, or “The Dish Mansion at Bancho.” Her name is Okiku, and she is one of the most famous ghosts in Japanese folklore. Her story has been adapted into puppet theater, kabuki, movies, ukiyo-e and every other imaginable art form. Her story takes place in the area of Bancho, in present-day Hyogo prefecture, but it has been adapted to other locations, and tweaked, and changed, so there are a number of different versions. The one I will tell you now is the more folkloric and traditional one.

A long time ago in the town of Bancho there was a beautiful woman named Okiku. Her master was a samurai named Aoyama, and he fell deeply in love with her. Every day her would ask her to be his mistress, but she always refused his advances, preferring the life of a servant girl to the life of a concubine.

Eventually, Aoyama makes his final advance on Okiku, but again she refuses, so Aoyama decided to trick her. He hid one of his family’s best dishes, which — as a servant — Okiku was supposed to be in charge of. When Okiku was counting the dishes later, she noticed that there were only nine instead of ten. She counted and counted again, but each time only came up nine. Okiku panicked, as losing one of these valuable objects would mean — quite literally — her life. She fell into despair.

She went to her master in tears to confess that she lost one of the dishes. All part of his plan of course, Aoyama told her that he would be gracious enough to overlook the problem if she finally agreed to be his lover. Okiku refused, and Aoyama grew enraged. He threw her down a well, and she died.

After her death, it is said that Okiku became an onryo — a vengeful Japanese ghost. She tormented her former master by counting and counting from one to nine and then shrieking a horrible scream. Aoyama was finally able to exorcise her ghost by having another servant wait until she reached number nine and then suddenly shout, “TEN!” After that, it is said that Okiku stopped haunting him.

The story doesn’t end there, because Japanese ghosts rarely find peace! Where she went next is unknown, but there are tales of Okiku all over Japan. It is said that she appears crawling out of a well and counts, ever searching for her missing tenth plate. Anyone who hears her count all the way up to nine will die. If you manage to escape and only hear up to eight, you may end up just with a debilitating disease. Either way, if you happen to hear a mysterious voice counting somewhere nearby, I suggest you get the hell out of there!

The Dish Mansion at Bancho

Okiku

Okiku prints will be available on my Etsy store in just a couple of days! So check back soon!