A-Yokai-A-Day: Asuko koko

I can’t say it enough: I love October. October is the perfect month! It’s both warm enough and cool enough that you can be comfortable in anything from t-shirt and shorts to a fleece hoodie with a warm blanket wrapped around you. The sun doesn’t bake you the way it does in the summer months, but it’s still bright at noon. The flowers that bloom in October have the best fragrances, the smell of burning leaves and wood stoves fill the air. The changing leaves paint the world in vibrant beautiful colors. Twilight comes earlier and lasts longer, and the days that are dark and overcast have the best moods to them.

That last part is the only part that matters for today’s yokai. Read on!

Asuko koko

Asuko koko
“there and here”

Asuko koko is a yokai which looks like a swirling, gloomy cloud. Within the cloud float all sorts of grotesque faces and claws. (I wonder if they are riding this yokai, or if the heads and arms are actually part of asuko koko…)

Asuko koko comes from the Matsui Bunko Hyakki yagyo emaki. It’s a beautiful and important yokai scroll, with a lot of unique yokai. If you look it up on Wikipedia you’ll probably recognize a number of yokai from yokai.com. Most of the yokai here don’t have back stories or folk talks describing their behaviors, but they do have names which can be illuminating and give us a bit of insight into what they are/do.

While asuko koko may look like just a strange-looking cloud on the surface, there’s something deeper about it that really touches upon the true essence of what yokai means.

  • It’s formless, which is something that is often said about yokai, but gets forgotten when we see the clear shapes and forms of various yokai in colorful woodblock prints. But really, yokai are shifting, formless, and ever-changing.
  • As a smokey cloud, it’s not quite opaque, but not quite transparent either. Yokai are things that we can kind of see in the shadows, but just can’t make out; just like a cloud of smoke. It’s hard to focus on, impossible to grasp, and it can vanish just when you think you see it.
  • And of course if you go into a cloud of smoke, your eyes will sting, you’ll choke—it’s dangerous! If the smoke is toxic you could get quite sick, or it might just be a harmless cloud. Similarly, most yokai are dangerous, but it’s not always quite clear precisely what the threat is.
  • However, the part I like best about this yokai is it’s name: asuko koko means “there, here.” In other words: here, there, everywhere. It lurks in the corner, in the shadows, under your bed, just behind you! One of the important things about yokai is that they can be found everywhere, if you know where to look for them.

The vagueness of asuko koko’s form, its faces, and even its name perfectly matches the uncertainty which is the core of what yokai are.

The takeaway? Even if you can’t name it, can’t describe it, or can’t see it… there are monsters nearby. Here, over there, and all around you.

Boo!


Want more yokai? Visit yokai.com and check out my yokai encyclopedias on amazon.com! Still want more? You can sign up for my Patreon project to support my yokai work, get original yokai postcards and prints, and even make requests for which yokai I paint next!

A-Yokai-A-Day: Kubi kajiri

Hello everyone! Today is October 1st, and I am so happy because that means Halloween season is upon us! In the spirit of Halloween, as I do every year, I am painting one yokai every day: A-Yokai-A-Day for the month of October.

Just like other drawing projects (such as Inktober), I’m invite all readers to participate and share their own A-Yokai-A-Day images on social media using the hashtags #ayokaiaday and #ayokaiaday2018

Normally, I like to start A-Yokai-A-Day with some of the weirder or cuter yokai and gradually work towards the bloodier and scarier ones as we approach Halloween. However, you’ll notice that today’s yokai isn’t exactly what you’d call cute. The reason is that this guy comes out on the Autumn equinox, which was just over one week ago today. I wanted to share him early, since the equinox is still close.

So, let’s take a closer look at today’s yokai:

Kubi kajiri

Kubi kajiri

Kubi kajiri
“head biter”

Kubi kajiri is a yokai that is found lurking around in graveyards on the Autumn equinox. As you may guess by his name, he is primarily hunting for heads to eat. They look very similar to typical Japanese ghosts: long, disheveled hair, discolored skin, sunken eyes, and a white burial kimono. Like Japanese ghosts, they have no legs.

When they find a corpse that has been freshly buried, they dig it up and begin eating the head, leaving a mess of blood and gore all over the ground.

The reason they look like ghosts is because they were developed from a painting (by Ippitsusai Bunchō) called “Ghost eating a man’s head.” At some point, the picture was copied and the name kubi kajiri was slapped onto it, and this character was born!

There are two different popular explanations for kubi kajiri’s origin. The first one says that they are created when a person dies and is buried without their head. Their corpse turns into a yōkai and begins to hunt for fresh heads in graveyards.

The other explanation is a little more gruesome. It says that kubi kajiri are created from the corpses of eldery people who have starved to death—particularly those who starved due to negligence and abuse. This is related to the idea of “ubasute” which occurred long ago when food was scarce. During famine, the elderly members of a family might be allowed to starve to death in order to relieve the burden on the younger members. When they were too weak to travel, the elderly might even be piggy-backed into the mountains by their children and left there to die. It’s so sad and cruel that there’s no wonder this is the original story for so many different kinds of yokai. In such cases, the kubi kajiri was only said to appear after their abuser died. Then they would appear beside the grave of their abuser, dig up the corpse, and devour its head.

Justice! (Maybe?)


Want more yokai? Visit yokai.com and check out my yokai encyclopedias on amazon.com! Still want more? You can sign up for my Patreon project to support my yokai work, get original yokai postcards and prints, and even make requests for which yokai I paint next!

Next Month: A-Yokai-A-Day

It’s been a little while since the last update. August and September have been wildly busy, finishing up with the book and getting it to the printers. But the good news is that if you are a Kickstarter or BackerKit backer, you should have access to your ebook download links now in your BackerKit downloads area!

A-Yokai-A-Day for the Month of October

I would be remiss if I let September pass without mentioning the project that is probably what this blog is most well known for: A-Yokai-A-Day! Keeping with my annual tradition I will be posting one yokai every day for the entire month of October.

A-Yokai-A-Day started in October of 2009, so this year marks nine years of October yokai. In that time all sorts of similar drawing challenges have popped up, including Inktober. In that spirit, I’d like to invite my readers and yokai fans all over the world to join me in A-Yokai-A-Day by painting/sketching/doodling/drawing/photographing a yokai every single day next month!

Hashtag your posts #ayokaiaday and #ayokaiaday2018 and share them on Twitter/Facebook/Instagram/wherever!

Last Month’s Yokai

Here are the yokai you may have missed in August and September by not being part of my Patreon project. If you like this site, or yokai in general, and especially if you have a yokai request you’d like to see my paint, join my Patreon project and help support this site and yokai.com!

Taki reio

Yonaki ishi

Mekurabe

Jigoku tayu

Kohada Koheiji

Mumashika

Oi no bakemono

July Update

May and June have gone by in a flash, as I have been so busy working on the book as well as the Patreon that I haven’t had a moment to even think about updating the blog! We are also having our house remodeled so that has taken up a lot of my attention.

It’s been a busy couple of months for yokai painting. Here are the images you may have missed if you haven’t been following the Patreon or my social media:





http://yokai.com/chouchinbi


A Visit to the Yokai Museum

This weekend I went to Nagoya to see the Yokai Mummy Exhibit at Parco Gallery. If you can get to Nagoya before this ends, I strongly recommend you go see it! It was pretty fantastic.

This exhibit is a preview event for a brand new yokai museum set to open next year in Miyoshi City, Hiroshima. The museum is going to be the new home of Yumoto Koichi’s yokai collection. Yumoto holds the largest collection of yokai in the world, and is a prolific yokai researcher with a few books published detailing the contents of his massive collection. Having a museum built for them is a pretty incredible thing, and this preview showcased some of the highlights of his collection; the mummies!

And unlike lots of art galleries, photos were allowed, so I am happy to share some of what I saw with you! You’ll have to forgive the poor quality of the photos. It was difficult to take shots without my own shadow getting in the way, so most of my pictures were taken at sharp angles. There are some glares and lots of perspective distortion, so you’ll have to use your imagination a bit.

Part One: Paintings

Here I am peering at the first scroll: a hyakki yagyo emaki featuring tsukumogami cavorting in a night parade.

These are yokai you’ve probably seen countless times. They have been painted over and over in many different picture scrolls. Some have names, some don’t, but it’s fun to see the same characters appear over and over by different artists.

Next up is a picture scroll depicting a long story, with yokai interacting with humans among a lavish-looking samurai house.

Only parts of the scrolls were visible; they unfurl different sections of different days of the exhibit, so if you can go for multiple days you can catch even more of the stories!

Next up is a scroll with a number of famous yokai, including this old school nurikabe! I also liked this version of nurikabe more than Mizuki Shigeru’s version, which is what you mainly see nowadays.

This next character is heavily distorted because I took the photo at a sharp angle, but it’s a giant catfish! This was another scroll that had a number of large sea monsters on it.

I know I’ve seen this ghost before! This is a copy of another painting.

An inugami and a rokurokubi, also copies from an earlier scroll.

The next one is a bizarre scroll worth mentioning. This scroll depicts a group of wisemen from China who developed a method of defeating yokai… by farting on them! Fart scrolls are surprisingly common among yokai paintings, and there are lots of images of people farting on kappa or other yokai to drive them off. I’m not sure how this particular scroll falls into the timeline of things, but the silliness of it is charming.

This is an Edo period book about a young man who goes kitsune hunting off in the mountains, and runs into yokai after yokai. How I would have loved to turn the pages and see the other parts of this book!

This scroll depicts a house full of yokai; you can see faces on the walls, and ghostly heads floating about.

These next few images were from a relatively modern (Showa Period) scroll, and I absolutely love them! In particular, chikusho (the skull with a skeletal deer’s body) has definitely become one of my new favorite yokai. This scroll was also unfurled over many days, so I wish I could come back and see the others! (Fortunately Yumoto Koichi’s books do display more details of this and his other pieces.)

Part Two: Prints

First up are two of the most famous yokai images ever: Hokusai’s prints of Oiwa and the sarayashiki ghost (aka Okiku). You can find better scans online than my photos, but seeing them in person is something else!

This is a copy of Inou mononoke roku, which I’ve posted about on here and yokai.com in the past. It’s a collection of pictures from the life on Inou Heitarou, a young boy from Miyoshi, Hiroshima who had a series of very bad nights as yokai repeatedly visited him. How I would love to read this whole book!

Next up is a series of prints framed all together. If you look closely you can see all kinds of yokai hidden in the pictures. Even the walls have eyes!

This story features a big tsuchigumo!

Below is a yokai-themed board game (sugoroku).

Here is a set of yokai karuta.

This is a newspaper article, believe it or not. It tells the story of a shop owner who was attacked by the ghost of the man who owned the shop before him. It looks like it would have been very fun to be a newspaper illustrator back then!

Part Three: Clothing

There were a couple of neat articles of clothing at the exhibit. This is a kimono and obi featuring Ibaraki doji, a famous oni.

Below is a thick outer jacket with a nue on it. Nue were disaster beasts, associated with fire and lightning. So this jacket was actually worn by a fire brigade. It’s made of very thick and heavy cotton, like a judo uniform. The firefighters would soak it with water to protect themselves when running into the fire. Then they would turn it inside out when returning. It’s quite clever.

Part Four: Mummies!

This, of course, is the main event! The yokai mummies! In their day, these were toured around as sideshows, displayed in temples as curiosities, and even kept as charms.

First up we have a ningyo. The first page is a description of the creature and its story. Of all the man-made mummies, this one was by far the most realistic. Check out those teeth!

Next up is a creature that was billed as a “three headed dragon.” Three snake heads on an alligator. I guess it didn’t specify whose heads…

You’ve probably seen these images before. These famous kappa paintings are circulating around the internet. They diagram the kappa and suiko mummies presented below.

A kappa’s hand!! This reminds me of the old ghost story about the monkey’s paw.

This one here is a suiko.

Human for scale. I definitely picture suiko as much bigger in my mind! Isn’t that what people always say at sideshows?

Next up are a couple of raiju mummies. This illustration accompanied them:

There was also a karasu tengu mummy! This document describes it.

And now, the grand finale: the kudan! There were a number of posters advertising it from ages long past. I especially liked this one:

Human for scale. I’ve seen this guy on so many websites and in so many books. While there are other kudan mummies out there, this one is probably the most famous. He has a very serene look on his face. It’s not hard to see why people thought these were special or magical beasts.

Seeing these mummies really makes me long for a time I’ve never experienced. I’d love to visit that age of wonders, when science and fantasy were still at odds with one another, and sideshows like this traveled around the world. Although I suppose it’s not so different today. Instead of being scammed out of my money to see a “real mermaid,” I happily paid to see a fake one.

Anyway, it was an awesome exhibit. I am eagerly looking forward to the opening of Yumoto’s Yokai Museum in Miyoshi!

Spring Update

This update is overdue! I thought it was only a short time since my last update, but suddenly its mid-April and I haven’t posted in a month and a half! Where does the time go? Here are a few updates on what’s been going on:

The Book of the Hakutaku

I’ve been kept busy mainly by work on the book. The text was finished in March and it was sent off to my editor, yokai expert and manga translator Zack Davisson. In the meantime, I am working on the final illustrations for the book, such as the chapter headers, and other details like that. You can follow the progress on the Kickstarter page.

Your last chance to become a backer through BackerKit is also quickly approaching! The BackerKit pre-order store will close at the end of April! So if you want hardcover collector’s editions, slipcases, bookmarks, or yokai clothing, you only have a short time left to order them! After the BackerKit pledge manager is closed, you will only be able to buy paperback and Kindle versions of the book.

Patreon & Yokai.com

Of course, I am always busy working on my Patreon project, bringing more and more yokai to yokai.com! February and March saw the creation of a bunch of new paintings, and very recently I put up an entirely new site template on yokai.com, one of my campaign goals for the Patreon project! The new template is streamlined for various devices, and is smartphone friendly, which has been something I’ve wanted for a long time. Many people have asked for an app for yokai.com, but a smartphone-friendly version has always seemed like a better solution for viewing the website on your phone or tablet, as it saves the time and effort (and money) involved in maintaining a series of apps in addition to the website.

Here are the new yokai posted since the last update:

If you’d like to get regular updates, monthly postcards with hand drawn yokai doodles, help choose the yokai I paint, or even original yokai paintings every quarter, please consider supporting yokai.com on my Patreon page! I don’t run ads on the site, and it is entirely supported by backers who pledge as little as $1 per month to keep it running. If you enjoy yokai and want to keep reading more, I do need your help to keep making them!

Other Yokai Updates

Now that winter is over, the time for outdoor events has begun. I visited the Mononoke Ichi down in Kyoto a couple of weeks ago. Mononoke Ichi is like a miniature Comic Con for yokai lovers which takes place a few times a year. It is located in “Yokai Street,” an area of Kyoto which used to be the northern border of the old city (remember how yokai live in the border lands?”). The shops and residents of that area have banded together to make the area yokai-themed in an effort to increase local PR, and they have really done a good job. They run a number of events, including Mononoke Ichi, but also Kyoto’s very famous “Yokai Train” which runs during the summer.

This was my first visit to Mononoke Ichi, but it definitely won’t be my last! I had a blast, and I hope to go next time as a booth presenter instead of a customer. Here are a couple of photos of me with yokai cosplayers at the event, and if you’re involved in my Patreon project you can even watch a walkthrough video I took while I was there!

Setsubun is Just Around the Corner

For yokai fans, one of the really fun Japanese holidays is Setsubun. I’ve covered this on my blog a few times before so there’s not much more to say about it this time around. But I did want to share some of the yokai that I completed during January:

Hososhi

Firstly, the hososhi, which I covered on this blog during A-Yokai-A-Day, but now have a painted version. Of course, with Setsubun coming up, this yokai is more appropriately timed than ever!

Basho no sei

Byobu nozoki

Enenra

All of the yokai for The Book of the Hakutaku are now painted, which is an exciting milestone. There is still a lot of layout and editing work to do, so the book is still a ways away, but it gets closer and closer to finished each day. There’s still time to pre-order it on Backerkit, and have your name included in the book as an early supporter!

In other news, I was also really pleased to see on 世界!ニッポン行きたい that one of the people featured was a young Hungarian girl whose dream to visit Japan was because of her love for yokai! She is writing about yokai for her graduation thesis, it seems. And I was extra honored that she presented one of my illustrations as part of her inspiration. Good luck メルセデス, I hope you get to visit Japan!