June Yokai Plans

It’s June and the summer heat is slowly creeping its way towards us! But we still have a few weeks before the temperature becomes unbearable!
May and June are really beautiful in rural Japan. The buckwheat is golden, and the rice paddies are flooded and full of fresh green sprouts. There are storks and herons everywhere, hunting bullfrogs and insects in the fields. Pheasants are screaming their mating calls as they patrol the gardens and chase other animals away from their nests.

Of course it’s also a good time for yokai. The changing of the seasons is strongly associated with yokai. In ancient times, season changes were associated with the powerful forces of yin and yang, and the space between the seasons was one of the places where yokai could break into our world from theirs. Aobouzu (from The Hour of Meeting Evil Spirits) is one of these yokai that is associated with the change from spring to summer.

Speaking of that book, I just did an article for Folklore Thursday featuring some of the characters from that book. If you haven’t seen it, here is the link.

Also, I recently started using Instagram again, so if you can find me @matthewmeyerart.

Now, on to this month’s yokai plans!

Last month a few yokai entries mentioned other yokai that I haven’t done yet. I like doing yokai that have “partners” so to speak. So this month we’ll be looking at:

1) Amabie, which was referenced in the jinja hime post.
2) Fuguruma yohi, who goes sort of as a pair with chirizuka kaiou and is also pun based off the same passage of the Tsurezura gusa.
3+) Some tsukumogami! Everyone loves tsukumogami and since we looked at the king of the tsukumogami last month, it’s only fitting that we give him some subjects!

More to come soon!

This post originally appeared on Patreon.com. Support my work and feed your yokai addiction by becoming a backer for only $1 per month!

Chirizuka kaiō

Greetings yokai fans!

Tonight’s entry is a pretty obscure yokai, but he’s a funny one. Despite being another one of Toriyama Sekien’s inventions (he just slapped a name and an explanation onto a yokai that had already been painted in pictures scrolls for hundreds of years) he manages to give it some meaning and flesh it out into a really interesting creature.

Doing the writeup on this yokai forced me to read some of Tsurezuregusa, as well as the song from the Noh play, which was fun but not exactly a quick and easy translation. Sometimes the yokai which are obscure and have precious little written about them can turn into a rabbit hole when trying to unravel their mysteries. And then trimming that down into a concise explanation is another task!

Anyway, I hope you enjoy it:

Chirizuka kaiō

This post was made possible by the generous support of my Patreon backers. If you like yokai and want to learn more, please consider pledging $1 or more per month to support my work.

In addition to the warm, fuzzy feeling patrons get by being a backer of an awesome project, they also get access to my private Patreon steam, which has more details about each yokai, their history, and my creation process—including sketches, line art, and high-resolution artwork. Higher tier backers also get monthly postcards with hand-drawn yokai doodles, art prints, and even original paintings. Click here to join!

Sarugami

Greetings yokai fans!

This one took a bit longer than I had hoped to complete. I fought for a long time with the color scheme. But in the end, I am happy with how it turned out. The warm color scheme was an improvement on the cooler green hues I started out with.

Sarugami is a pretty fascinating yokai. It’s another one that is connected to Koshin, so it joins the ranks of such fun yokai as the sanshi, shokera, and a few others. Also, its legends are extremely similar to the monster-slaying legends you usually hear about oni, omukade, yamata no orochi and other daija. Basically a big ol’ monster for heroes to slay.
And there’s a fun little false etymology story in there as well! Quite a lot to digest with this one! I hope you enjoy it!

Sarugami

This post was made possible by the generous support of my Patreon backers. If you like yokai and want to learn more, please consider pledging $1 or more per month to support my work.

In addition to the warm, fuzzy feeling patrons get by being a backer of an awesome project, they also get access to my private Patreon steam, which has more details about each yokai, their history, and my creation process—including sketches, line art, and high-resolution artwork. Higher tier backers also get monthly postcards with hand-drawn yokai doodles, art prints, and even original paintings. Click here to join!

Shachihoko

Greetings yokai fans!
Today I bring you the shachihoko, aka the shachi.

It has a pretty simple history, but it does tie back both to China and India, so it does go back quite a ways. Interestingly, its history is not very commonly known in Japan, and most people just think of it as a neat-looking sea monster, or else as a medieval representation of the killer whale (the killer whale was named for this creature, actually, not the other way around).

Anyway, enjoy!

Shachihoko

This post was made possible by the generous support of my Patreon backers. If you like yokai and want to learn more, please consider pledging $1 or more per month to support my work.

In addition to the warm, fuzzy feeling patrons get by being a backer of an awesome project, they also get access to my private Patreon steam, which has more details about each yokai, their history, and my creation process—including sketches, line art, and high-resolution artwork. Higher tier backers also get monthly postcards with hand-drawn yokai doodles, art prints, and even original paintings. Click below to learn more!

Become a Patron!

Jinja hime

Greetings yokai fans!

Today I bring you the jinja hime!

She’s pretty straightforward, so I’ll let the post and the picture do most of the talking. What I really like about this one is that it hearkens back to the kudan, which was the very first yokai that I did in the Patreon project! I chose kudan back then because I thought it would be nice to have an auspicious yokai be the start (and also because I just loved the way kudan looks with his dopey cow face). As it turns out, jinja hime is likely the origin of the kudan! She, too, has an adorably dopey face, which I hope I captured well.

This post was made possible by the generous support from my Patreon backers. If you like yokai and want to learn more, please consider pledging $1 per month to support my work.

Become a Patron!

Shrine Battle (Spot the Yokai)

The painting above is not mine, but it is one of my favorite woodblock prints. It was made in 1951 by Toshi Yoshida, one of my favorite woodblock printers. It shows the street leading up to Iwamoto jinja. Very little has changed since then. Here is that same view today: Google maps link

I loved that print long before I had ever been here, so when I first came to the Iwamoto shrine and saw the street above, I thought.. “Hmmm this looks oddly familiar, like I’ve been here before.” Later on I made the connection and realized that this was the street from this print!

Anyway, I mentioned in the previous post about the festival I visit every year this time. I took a video this time and I thought you guys might be interested in having a look.

The basic story behind what’s going on is that every village in Japan has a local shrine, and the local shrine of this neighborhood is the Otaki jinja. This is the large shrine that is the home of the goddess of papermaking, Kawakami gozen. Every year on this holiday, the god is removed from Otaki jinja and placed in a mikoshi, a portable (very heavy) golden shrine, which is carried on the shoulders of the men of the town. The mikoshi is taken from the head shrine and visits all of the smaller shrines in the village (there are lots). It takes all day, and at each shrine the men are given sake as offerings for carrying the shrine.

At around 5pm, they reach the final shrine, which is also the biggest of the local shrines (not counting the head shrine). This shrine is called Iwamoto jinja. The locals of Iwamoto are particularly zealous, so they don’t want the shrine to return back to Otaki jinja. The want Kawakami gozen to stay at their shrine for the whole year. So the men of the village gather at the shrine exit, and when the big mikoshi (carried by very drunk, very tired men) tries to leave Iwamoto jinja, there is a sort of tug of war battle that goes on. It’s pretty extreme to watch, and every year I can’t believe that nobody gets killed.

The mikoshi (portable shrine cart) arrives at the shrine:

https://goo.gl/photos/yBWMJ6Jy5AdvsnXL7

The shrine battle:

https://goo.gl/photos/DyLswYZzTP36pivr8

Bonus: can you find all of the yokai in the video? (Hint: There are three.)