A-Yokai-A-Day: Ino Mononoke Roku, Day 3

This year for #ayokaiaday we are looking at the bizarre occurrences which took place at the Ino residence in Miyoshi, Hiroshima, during July of 1749. These occurrences all revolve around a young boy named Ino Heitaro. His story is collected in Ino mononoke roku, a collection of scrolls, books, and legends which collectively form the narrative of a supernatural phenomenon that took place 270 years ago.

The following morning, Ino Heitaro steeled himself for what he knew would be an eventful day…

It wasn’t long before the first attack came. An upside-down severed woman’s head burst into his living room through a mouse hole in the wall. It scrambled from wall to wall on legs made of long, black hair. It flicked its tongue wildly as it skittered about and cackled. It hopped on Heitaro’s knee, and jump up on to his head, and it licked Heitaro all over from head to toe.

That night, as Heitaro lay in bed, the next attack came. Suddenly and without warning, countless green bottle gourds descended on strings from the ceiling. They dropped down, closer, closer, barely out of reach of his face.

Heitaro, cool as a cucumber, just went back to bed.

A-Yokai-A-Day: Ino Mononoke Roku, Day 2

This year for #ayokaiaday we are looking at the bizarre occurrences which took place at the Ino residence in Miyoshi, Hiroshima, during July of 1749. These occurrences all revolve around a young boy named Ino Heitaro. His story is collected in Ino mononoke roku, a collection of scrolls, books, and legends which collectively form the narrative of a supernatural phenomenon that took place 270 years ago.

The following evening, Heitaro visited Gonpachi’s house to tell him what had happened the night before. Heitaro was surprised to learn that Gonpachi had been attacked by a yokai too. They decided they had to come up with a plan… They were samurai; they were brave; they would go monster hunting!

As they sat down to strategize their yokai-slaying expedition, suddenly the lantern in the room flared up, and the flame blasted up to the ceiling!

Gonpachi began to freak out just a little bit at the sudden blast of fire, but just as the night before, Heitaro kept his cool. Their meeting over, Heitaro went home and went to bed as if nothing had happened.

But of course the story doesn’t end there!

As Heitaro lay down to sleep, suddenly water began gushing up from inside of his futon and filling the room. Heitaro lay in bed and tried to ignore it, but soon the water level rose up to his ears and threatened to submerge him. So he sat up and waited for a bit, and eventually the water all drained away. Soaking wet, Heitaro lay down and went back to sleep.

At that moment, Ino Heitaro realized that these supernatural events were probably going to continue, day and night, for some time…

A-Yokai-A-Day: Ino Mononoke Roku, Day 1

This year for #ayokaiaday we are looking at the bizarre occurrences which took place at the Ino residence in Miyoshi, Hiroshima, during July of 1749. These occurrences all revolve around a young boy named Ino Heitaro. His story is collected in Ino mononoke roku, a collection of scrolls, books, and legends which collectively form the narrative of a supernatural phenomenon that took place 270 years ago.

After Ino Heitaro’s test of courage on Mount Higuma, there was no indication of any strangeness. Heitaro quickly put the whole thing out of his mind and carried on with his daily life. However, that one night had set into motion a series of supernatural encounters that would change him forever.

The strangeness began one month later, on July 1st, 1749.

Heitaro was asleep in his bed. All of a sudden, he awoke to a bright light pouring into his room from the shoji doors leading to his garden. Heitaro got up to see what the strangeness was. He tried to open the doors, but they wouldn’t budge.

Suddenly, the doors opened and a massive, hirsuit arm reached into the room and grabbed Heitaro. The arm was attached to a hairy, one-eyed giant, who was reaching over Heitaro’s garden wall and into his house!

Somehow, Heitaro managed to keep his cool. He wriggled out of the giant’s arm and back into his room, and grabbed his sword. Heitaro returned to his window just in time to see the giant wriggling underneath of his house. So the brave Heitaro thrust his sword through the tatami mats on his floor. But the giant had gotten away…

At the same time, Gonpachi was visited by a yokai as well. He awoke to see a hitotsume kozo in his room. Gonpachi was afflicted with kanashibari, and could not move. He cowered, frozen in his bed as the little yokai had its way with him…

A-Yokai-A-Day: Ino Mononoke Roku

This year for #ayokaiaday we’ll be looking the bizarre occurrences which took place at the Ino house in Miyoshi, Hiroshima, for 30 days and nights during July* of 1749. These occurrences all revolve around the master of the house, a boy named Ino Heitaro. (Because of the many ways Japanese is transliterated, you may also see it written as Inou, Inoh, or Inо̄, but on this site I’ll just keep it simply Ino.) His story is called Ino mononoke roku, but it is not a just single story. Ino mononoke roku is just one way to refer to the collection of scrolls, books, and legends which collectively form the narrative of a supernatural phenomenon that took place 270 years ago.

The Ino household, where our story takes place

What’s remarkable about this collection of tales is that, while we don’t know exactly what happened at Ino Heitaro’s house that month, there is substantial record that something happened. What we do know is that Ino Heitaro was a real person, and the names and places in his story all point to real people and places which have been discovered and excavated. Whatever actually happened, it was big enough and widespread enough that sightseers came from all around the country to sleepy little Miyoshi just to gape at the Ino household. So many sightseers came, in fact, that the officials in Miyoshi had to pass new laws to handle the influx of visitors and the disturbances they were causing.

The events in these stories were reported as facts in their time. The full record of what happened was only collected and formed into a narrative decades later, after it had been told and retold, and embellished and elaborated and expanded upon. There are so many versions of the tales written compiled by so many different authors that literary scholars have been analyzing texts and writing styles trying to identify the original authors, find the core story embedded in all of the variations, and decode the true origins of the tale.

We won’t be going into the textual criticism here, but you can get a much deeper look into the complex history of Ino mononoke roku if you visit the Mononoke Museum in Miyoshi, which houses the original scrolls I am using as a source for this year’s A-Yokai-A-Day. Keep in mind that, like other folklore, there are differences and contradictions between different versions of this story. So if you hear different versions of Ino Heitaro’s tale somewhere else, it doesn’t mean that this version or that version is wrong. It’s folklore, and the contradictions and variations are part of the fun.

So, to begin with our story, today I’m going to introduce you to the protagonist, Ino Heitaro, and give you some background about the strange events we’ll be looking at this month.

Our main characters: Heitaro and Gonpachi

Ino Heitaro was a 16 year old samurai living in Miyoshi. His parents had died young, and so he lived in a big samurai villa with his young brother Katsuya, 4 years old, and their retainer Gonpei. Heitaro regularly visited his neighbor and friend Gonpachi, 30 years old, a sumo wrestler.

It was a balmy and pleasant end of May*, 1749. The young Heitaro got into an argument with Gonpachi. What the argument was is lost to history, but the end result is that Gonpachi challenged Heitaro to a test of courage to see who was braver. They decided to climb nearby Mount Higuma at night to see who was braver. Mount Higuma was supposedly haunted, and if you climbed it at night, you were sure to encounter evil spirits.

And so they waited until night fell, then climbed up to a well known unholy site on the mountain: tatari iwa, a cursed boulder that was supposed to summon yokai if you touch it. Neither of them was scared, so they decided to play a game of hyakumonogatari (“a telling of 100 ghost stories”).  They lay out a sheet to sit upon, lit candles, and told ghost stories at the foot of the cursed stone. However, when they had finished, there was no sign of anything supernatural. No ghosts. No yokai. No strange sounds or sights. Neither of them felt the slightest bit of fear, nor any supernatural presence. Not even a single goosebump. They were seriously disappointed, and climbed back down the mountain, grumbling the whole way.

The next morning, Heitaro awoke and felt refreshed, without the slightest bit of fear or strangeness. Similarly, Gonpachi awoke with no curses or ill feelings either. Their disagreement faded away as things do, and the whole incident and the disappointing night that followed were soon forgotten.

Little did Heitaro know what he had awoken that night…

* The story technically uses the old Japanese lunar calendar, which doesn’t accurately line up with today’s 12 months. However, for the sake of simple storytelling, I’m just going to call “the fifth month” May, and “the seventh month” July. If you’re a stickler for accuracy, just keep in mind that it’s not an exact date.

A-Yokai-A-Day for 2019

Hello readers!

It’s almost time for A-Yokai-A-Day for 2019! A-Yokai-A-Day is a month-long celebration of Halloween with yokai as the subject. Each day of the month, I will paint and post a different yokai. If you’re not familiar with yokai, all you need to know is that they are the ghosts and monsters of Japanese folklore. You can visit yokai.com or read my books to learn more about them.

A-Yokai-A-Day was started in 2009, back before yokai was a common word outside of Japan. Back then, very few people knew what yokai were, and if you read anything about Japanese folklore, you’d usually see words like “goblin” and “specter” being used for Japanese monsters, and individual creatures would have their names translated into something horrendous (like “mountain goblin” for tengu, or “river imp” for kappa). Fortunately, as yokai spread across the internet, better minds prevailed, and most fans are comfortable with the Japanese terms for these folkloric creatures.

A-Yokai-A-Day has evolved over the years alongside other art projects like Inktober, and these days it’s not only me painting #ayokaiaday. You’re welcome to participate, by drawing your own versions of your favorite yokai from yokai.com and sharing them on social media. You can view my past A-Yokai-A-Day archives on this site, and follow along on my Twitter, Facebook, and Instagram pages as well.

For 2019, I will be doing something a little different. Usually I choose a selection of yokai that showcases the diverse range of types, from cute, to funny, to terrifying. This year, however, I am using the Japanese story Ino mononoke roku as the theme for A-Yokai-A-Day. Ino mononoke roku is a folk tale from Miyoshi, Hiroshima about a young samurai named Ino Heitaro who is plagued by nightly visits from a different yokai. Every day for one whole month, his sleep is interrupted by some yokai bothering him.

I had a chance to see some of the original scrolls depicting this story up close at the grand opening of the Miyoshi Mononoke Museum earlier this year. Despite being such a fantastic tale, it’s not particularly famous, even in Japan. Needless to say, it’s also not very well known outside Japan either. So I thought this would be a good chance to showcase the strange creatures who Ino Heitaro meets, as well as give an outline of the story. Plus, it’s the perfect theme for A-Yokai-A-Day, because it literally is a yokai a day!

Stay tuned for this year’s A-Yokai-A-Day in just a few more days!

A-Yokai-A-Day: Sunamura no onryo

It’s finally upon us! Halloween is here! During this year’s A-Yokai-A-Day we’ve seen hungry ghouls, dark clouds, hunchbacks, giant bugs, vampires, cats, ghosts, and old hags. But I wanted to save the most quintessentially Halloween-y yokai for today. Creepy or not, I don’t think anyone can make an argument against this guy being the most Halloween-y yokai of all.

Sunamura no onryo

Sunamura no onryo
“the ghost of Sunamura”

Sunamura was a neighborhood in what is now Koto City, Tokyo. Today it has been fully swallowed up by municipal mergers and technically no longer exists, although some parts of the area still contain remnants of its name. During the Edo Period it was famous for one particular vegetable: pumpkins!

The ghost of Sunamura is a walking pumpkin monster. Its body and limbs are formed of a tangled mess of pumpkin vines and leaves. Its head is a heavy, bright orange pumpkin which it struggles to carry around in its thin arms. There is a face in the head, although it doesn’t appear to be carved like a Jack-o’-Lantern.

According to legend, this spirit would appear night after night in the village of Sunamura and chase people. What strikes me as interesting is that it is referred to as an onryo rather than the more common obake or kai, or some other generic term. As you may know, onryo are the scariest type of ghosts. They born out of extreme emotional attachment or grudges, and wreak their vengeance upon the living. But what could cause a pumpkin to come back as an onryo? What kind of grudge can a pumpkin hold??

Sadly, there aren’t any surviving contemporary documents with more information on its story, so how this little guy began and any others details about it are lost. It may even have been lost to time if not for its inclusion in an 1858 ghost-themed board game by Utagawa Yoshikazu which features famous local ghosts:

Kaidan hyakumonogatari sugoroku

Kaidan hyakumonogatari sugoroku

It’s amazing that this creature so closely resembles a Jack-o’-Lantern even though it was created long before the concept of Halloween ever reached Japanese shores. In fact, in the 1850’s Halloween wasn’t even a big thing in the United States yet! Before The Great Pumpkin, before The Pumpkin King and Pumpkinhead, and even before David S. Pumpkins, the ghost of Sunamura was hopping around Tokyo scaring people!

Pretty incredible, huh?

Sadly, this marks the end of A-Yokai-A-Day for 2018. Thanks for reading every day, whether on my blog or on social media! If you enjoyed it, please consider joining my Patreon project and following along as I continue to paint and translate yokai all year long. The support of my patrons is what allows me to keep making art and maintain yokai.com year round.

A-Yokai-A-Day: Gotoku neko

October is almost over, so don’t forget to take a look at all of the fantastic #ayokaiaday contributions across the various social media platforms! Even though it’s only the first year I’ve ever asked people to share their own #ayokaiaday posts, the response has been amazing! It’s fun to see so many people getting into the Halloween spirit with yokai-themed paintings, drawings, and sketches.

Now on to today’s yokai:

Gotoku neko

Gotoku neko
“trivet cat; five virtues cat”

In Japan, just like in the West, cats have a long and deep connection to superstition and the occult. For instance, you must not let a cat anywhere near a corpse. If a cat crosses a corpse, or jumps over one, or even sits on a coffin, the corpse will reanimate and begin to dance. It’s even been said that cats will suck the breath out of fresh corpses in order to gain power. Cats who are allowed to do this develop bizarre abilities, and begin acting more and more human-like. One major warning sign that a cat has turned into a yokai (a bake neko) is when it begins to stand up and dance on two legs. Many bake neko are depicted in paintings and prints standing on their hand legs with their arms outstretched as if dancing. When a bake neko becomes even more powerful, their tail splits in two, after which they are known as a neko mata.

Gotoku neko is a variant of the neko mata. It was invented by Toriyama Sekien and includes a couple of puns, which I will get to later.

Sekien is not explicit on what this yokai does beyond that of a normal neko mata. However as a neko mata it certainly has the ability to do all sorts of wicked deeds. Sekien’s depicts this cat as sitting around the irori (an in-floor hearth found in old Japanese country houses) and stoking the fire by blowing on it with a bamboo pipe.

The name gotoku neko comes from the gotoku, or trivet, that the cat wears on its head upside-down like a hat. A gotoku is an iron ring with three or four legs that is used in an irori or a hibachi to hold a tea kettle or pot and keep it out of the ashes. While it does make an awesome hat, it has its own occult connections: the ritual of the shrine visit at the hour of the ox requires that the participant wear a gotoku upside-down on his or her head, just like this cat is. So even though at first glance the gotoku neko appears to just be a cute cat warming itself by the fire, there’s something a little more sinister going on.

Another bit of wordplay in this yokai’s name is that gotoku also refers to the “five virtues” of Confucianism: benevolence, honesty, knowledge, integrity, and propriety. It’s a bit ironic for a yokai to be connected with the five virtues, but there’s a pun buried in there which Sekien references in his writing. He cites an old story about a nobleman named Shinano no Zenji Yukinaga. One day Yukinaga was set to perform the shichitoku no mai (dance of the seven virtues) before the court. However, he forgot two of the dances! As a result, he jokingly became known around the court for his dance of five virtues (gotoku). Since neko mata are also known for dancing around, the joke takes us back to yokai cats. It’s a bit vague, but that’s the silly and mysterious style of Sekien’s writing!

One last note is that folk belief also associates cats with house fires. There are many variations, but one example is that it was believed if you let a cat sleep near a fire, your house would burn down. The sparks from the fire would ignite the cat’s tail on fire, then the burning cat would run around in a panic, igniting everything it touched. And as you can see, there are flames on gotoku neko’s twin tails!

It is explicitly stated, but I think that the gotoku neko is far less virtuous than its name implies…


Want more yokai? Visit yokai.com and check out my yokai encyclopedias on amazon.com! Still want more? You can sign up for my Patreon project to support my yokai work, get original yokai postcards and prints, and even make requests for which yokai I paint next!